EFP Audio/Music Recording Equipment List
	· 2 Sound Devices 442-4 channel field mixers, 4 transformered/ transformerless outputs · 1 Sound Devices MP-1 (boom) mic pre-amp  · 1 Mackie 1642- VLZ PRO 16-channel mixer with XDR premium mic preamps
	· 2 Sanken CS-1 “short shotgun” mics · 1 Sanken CS-3 shotgun mic · 8 wireless channels . 4 Sanken COS11 lav mics (with 4 levels of wind protection) . 2 Sanken CUB1 boundary layer mics · 2 Neumann KM184 cardiod mics · 2 Neumann TLM103 large diaphragm cardiod mics · 2 Audio-Technica 4041 cardiod mics · 1 Audio-Technica AT825 stereo mic · 1 Sony SM-5 M-S Stereo mic · 1 Holophone H-4 5.1 surround mic with built-in Dolby encoder · 4-channel mic arrangement with pistol grip for stereo and surround recording · 6 Shure and AKG dynamic mics
	· 6 Sennheiser EW100G2 transmitter/receivers with MK2 mics (wireless lavs) · 2-channel Zaxcom Stereoline (wireless to camera package with a variety of camera mounts) · 1 DPA Windpack for boom mic (110km/hr wind protection, no colouration of sound)) · 1 Rycote Windjammer system  for boom mic · 1 15ft articulated boompole · 1 12ft boompole · 1 30ft boompole · 3 “quick connect” camera snakes, more camera feeds possible · 2 pairs Sennheiser HD-280 reference headphones · 2 pairs Sony reference headphones · 2 pairs Grado reference headphones · snakes, cables, stands and adapters for any situation · 4 Pelican cases (flight ready) · 6 Lithium ion NP1 batteries and charger with distribution splitter (no waiting, no alkaline batteries! $) · walkies and comteks as required . Sony timecode and non-timecode DAT recorders · 1 Zoom H4 mobile field digital recorder · 4,6,8,10 and 16 channel hard disk recorders available on request 16 INPUT portable Pro Tools rig and transformered stage box, 250'snake
	- Always a collaborative process with others to determine creative issues and technical requirements of production (media, methods, delivery). I recommend strategies and prepare detailed budget outlines for a variety of scenarios and available budgets.